Michelangelo’s Moses in Restoration on the Internet


by Alexandra Salomon

ROME (Reuters) – An unprecedented high-tech restoration of

Moses, one of Michelangelo's greatest sculptures, began on Monday

with millions of people around the world able to follow every

minute live over the Internet.

“We want to give Moses to the world,” said Alberto Abruzzese,

head of the project to clean and restore the massive 16th-century

statue of the Biblical prophet who led the exodus.

For what experts say is the first time ever, people the world

over will be able to watch the entire project minute by minute

over the Internet as web cameras capture each delicate touch of

restorers' hands.

Tucked away in one of Rome's lesser-known churches, St. Peter

in Chains, the imposing and breathtakingly realistic Moses may

become as familiar to the general public as Michelangelo's other

Biblical masterpiece, the statue of David in Florence.

Clicking on www.progettomose.it allows visitors to spy on

chief restorer Antonio Forcellino as he delicately applies

special solvents to remove centuries of accumulated dirt.

The dirt and smoke from the church's candles have darkened

the once vibrant shades of the white marble.

“We have to remove dirt and pollution, which can damage the

marble, and we want to uncover the original shades of colors,”

Forcellino, dressed in a while labcoat, told Reuters Television.

Still, even before the restoration, many visitors were

awestruck at the details of the veins, the contours of the

muscles, and the curls of Moses' long flowing beard.

AN UNPRECEDENTED RESTORATION

Forcellino, who acknowledged he will feel uncomfortable at

first before the cameras, said the project was unprecedented and

unrivalled because it will give e-visitors a chance to understand

the complexity and delicacy of art restoration.

Pope Julius II commissioned Michelangelo in 1505 to build a

massive mausoleum to immortalize him in grandeur.

Work on the tomb, which was to have consisted of 40 massive

statues, was delayed when the Pope ordered the Renaissance master

to paint the Sistine Chapel ceiling first.

Michelangelo began work on Moses in 1513, after Julius'

death, and finished the statue in three years.

Julius' successor, Paul III, diverted Michelangelo from the

tomb project and ordered him to paint the Last Judgement wall of

the Sistine Chapel first. Julius' tomb was never completed.

It took Michelangelo eight months to select marble blocks

from the quarries in Carrara in Tuscany and three more years to

sculpt Moses and two slaves. The slaves are in the Louvre museum

in Paris.

Michelangelo envisioned Moses as a towering figure whose

imposing presence would give viewers a sense of how the Old

Testament titan might have appeared as he came down from Mount

Sinai after God handed him the tablets of the Ten Commandments.

The wall which was built behind the statue will be torn down

to uncover the windows behind it, bathing the statue in natural

light to highlight all three dimensions.

According to tradition, when Michelangelo finished Moses, he

was himself so taken by its life-like appearance that he banged

it with a hammer and shouted “But why don't you speak?.”

Restorers haven't yet found any signs of the hammer blow but

Internet art lovers may well be on the lookout.

© 2000 Reuters Limited. All rights reserved.

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