There was surely catharsis in such worship: The congregants left each week having faced the deepest reality of their own destinies. Perhaps it is ironic, but the church that confronts people with the reality of the shortness of life lived under the shadow of death prepares them for resurrection better than the church that goes straight to resurrection triumphalism without that awkward mortality bit.
Bonhoeffer once asked, “Why did it come about that the cinema really is often more interesting, more exciting, more human and gripping than the church?” Why, indeed. Maybe the situation is even worse than I have described; perhaps the churches are even more trivial than the entertainment industry. After all, in popular entertainment one does occasionally find the tragic clearly articulated, as in the movies of a Coppola or a Scorsese.
A church with a less realistic view of life than one can find in a movie theater? For some, that might be an amusing, even entertaining, thought; for me, it is a tragedy.
This article was originally published in First Things.
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